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Worth a look primarily for its first hour, a generally solid updating/relocation of Hitchcock's Rear Window: the filmmakers re-imagine confinement for the modern teen, as well as voyeurism in a California neighbourhood as opposed to a New York apartment building. That said, the constant shots of binoculars and cameras eventually become a little heavy-handed: we get it, they're spying on the neighbours. If anything, the film is a touch too specific in time and place; you can't help but think some of the references to popular websites will be terribly outdated within five years, never mind 55, but then perhaps no-one sees a long life for this kind of thing. It's a shame, too, that after setting the location up with considerable care, the filmmakers fall back on a very conventional, and completely over the top, dénouement, as if they don't trust themselves to carry off something a touch more subtle.
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